Posts tagged menswear

It wasn’t as if I intended to start my golden years early. Several decades early. But I had free time. All dressed up in a tweed jacket and vintage tie. All dressed up and no place to go. Except the thrift stores, antique shops and second-hand bookstores. So I wandered around town.

The antique shop was like any other antique shop. Loads of crap piled on cabinets, tables and bookshelves. Some of it was interesting crap. I hardly ever see a genuine straw skimmer anymore. I want one, but I didn’t want to pay $70 for one that was too small. So I kept looking. I found the cane in an umbrella stand. I didn’t need it. Still don’t. But I liked twirling it casually by the crooked handle. So I got it. For $7. Too bad the skimmer didn’t work out.

Then I was off down the street to the used bookstore. I twirled my cane as I went. God knows I don’t need more books. I have more than I can possibly read or store right now. But that never stops me. Fortunately for me, the bookstore was running low on quality literature. But I snap up anything I can find by John D. MacDonald. I love Travis McGee, but MacDonald’s other stuff is equally good. This was a non-McGee book called A Key to the Suite. For $2.50. Sold.

I tucked the book into my jacket pocket and strolled down the street twirling my cane. It occurred to me that I had jumped the gun. I was a little young to be a tweedy cane-carrier. With a book more than 50 years old, no less. But I wasn’t too concerned. The time will come. I’ll need a cane. And I’ll still be a gent with a necktie and a book in his pocket. Just an old gent by then. Might as well practice.

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Lived-in

People have been watching Perry Mason for decades.  I’m sure they’ve felt many things as they watched.  Probably most common was admiration for a legal system that doesn’t exist.  A brief stint in law school cured me of any delusion that Perry Mason represented actual lawyering.

But it doesn’t really matter.  I was too busy envying Perry and the rest of them to rhapsodize about the legal system.  All the men were decked out in suits.  They weren’t particularly handsome.  None of them would be mistaken for Don Draper.  Some were taller, some were shorter.  Some thinner, others heavier.  But they all wore suits.  They had shirts with double cuffs and links.  They all had neckties.  They all wore a handkerchief in their breast pocket.  

I was green with envy.  I can do all of those things.  I do all of those things.  I have several suits.  I have shirts with french cuffs; I have cuff links.  I have handkerchiefs.  I have white cotton that can be had for less than a dollar apiece.  I have silk in burgundy and navy with white polka dots.  And other patterns and colors.  I have dozens, if not hundreds, of ties.  I can wear any of these any time I want.  

But I can’t do what Perry Mason, and all the men on his show, did.  And I envy the bastards.  Every one of them in a suit.  As a matter of course.  No one saying how well they dress.  No one even noticing, really.  They just go about their business, fanciful though it was, in a suit and tie.

And I can’t do the same.  Not any more.  Wearing a suit is a conspicuous act.  Which doesn’t deter me.  I don’t mind if I stand out.  Because I’m not a twentysomething Maoist in denim and flip-flops.  I’m not a crusader for khaki mediocrity who treats every day as Casual Friday and looks like a middle-aged adolescent in cargo shorts and running shoes once work is over.  So I stand out.

I can live with that.  But I can never look like Perry and his compatriots.  Look over their suits.  Nothing fancy.  Sometimes slightly rumpled.  You wouldn’t dream of calling any of them a dandy.  No affectation.  Just the way men dressed.  Not just dressed.  Lived.  I can wear a suit or tie or any other item of clothing.  I can’t live in it.

10 notes 

Leslie Charteris’ florid pulp creation has been brought to life a number of times.  Roger Moore is one of the best remembered.  Indeed, Moore is arguably better as Simon Templar than as James Bond.  Vendetta for the Saint was initially two episodes of the Saint television show in which Moore starred.  The episodes, based on the novel of the same name, were spliced into a movie when was then released in cinemas.  
The novel was ghostwritten by sci-fi novelist Harry Harrison, though Charteris edited Harrison’s manuscript significantly to put his own stamp on the final product.  The movie is a more or less straightforward adaptation of Harrison’s story.  The guest stars are not likely to impress anyone, nor are the action scenes.
But the Vendetta for the Saint has Moore.  He exudes urbanity and devil-may-care wit.  His shortcomings as an action hero are unsatisfactory to modern eyes accustomed to Jason Bourne or Daniel Craig as Bond.  But if one does not like pulp escapism, one should not be watchingThe Saint (a fact that somehow eluded makers of the feature film starring Val Kilmer).  The Saint was always a foppish but roguish pulp hero.  With the possible exception of Vincent Price on the radio, no one has been better at portraying Simon Templar than Roger Moore.

Leslie Charteris’ florid pulp creation has been brought to life a number of times.  Roger Moore is one of the best remembered.  Indeed, Moore is arguably better as Simon Templar than as James Bond.  Vendetta for the Saint was initially two episodes of the Saint television show in which Moore starred.  The episodes, based on the novel of the same name, were spliced into a movie when was then released in cinemas.  

The novel was ghostwritten by sci-fi novelist Harry Harrison, though Charteris edited Harrison’s manuscript significantly to put his own stamp on the final product.  The movie is a more or less straightforward adaptation of Harrison’s story.  The guest stars are not likely to impress anyone, nor are the action scenes.

But the Vendetta for the Saint has Moore.  He exudes urbanity and devil-may-care wit.  His shortcomings as an action hero are unsatisfactory to modern eyes accustomed to Jason Bourne or Daniel Craig as Bond.  But if one does not like pulp escapism, one should not be watchingThe Saint (a fact that somehow eluded makers of the feature film starring Val Kilmer).  The Saint was always a foppish but roguish pulp hero.  With the possible exception of Vincent Price on the radio, no one has been better at portraying Simon Templar than Roger Moore.

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It Is What It Is

I was minding my own business. This doesn’t happen very often. Comes in handy in my line of work. But people other than my clients aren’t always very appreciative. For once I was minding my own business. Just meandering.

I heard the click-click-click coming toward me. A guy was walking his bicycle, but I wasn’t paying attention. Maybe my newfound Zen came from my T-shirt. Said “It is what it is.” An attitude I rarely take. For some reason, I thought the shirt was clever.

It is what it is.  An interruption, that’s what it was. I heard an indistinct voice and didn’t realize the dope walking the bicycle was talking to me. He had short hair and dim eyes. I didn’t know if the quizzical expression was the result of a query I hadn’t heard, or if it was permanent.

“Excuse me?” I asked.

He knit his brow a little too earnestly. “Can I read your T-shirt?”

I don’t know, pal. Can you?

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The Moment

Sam was uneasy.  He was distracted.  What’s more, he wasn’t sure why.  This was common enough at one point.  It had been a while, though.  Sam could name a couple reasons why he might be unsettled.  But he wasn’t sure which was the cause.  His lawyer friends talked about proximate cause.  He needed one of them to tell him the proximate cause of his funk.

So Sam did what he always did when he was uneasy.  When he was so distracted he couldn’t read, watch television or  even sit still.  He walked.  He had errands to run.  He could do those.  But it didn’t matter how much time it took to run the errands.  That wasn’t the point.  Sam walked, and he pondered.  Even brooded a little bit.  

Sam needed office supplies, so to the office supply store he went.  The store always struck him as odd.  Maybe he didn’t have the luxury of a large office.  Still, his office was an intimate place.  It was his home, for all practical purposes.  He had an apartment.  But he ate at the office, slept there most nights, did most of his drinking there.  Occasionally other intimacies occurred.  They were usually conducted in his office, too.  

Sam was happy with his small office.  But the office supply store didn’t remind him of his office.  It was a big fucking warehouse.  Sam thought of it as a “make your own office” kit.  Maybe it was like aquarium supply stores.  Sam figured they didn’t really resemble aquariums, either.

Sam scrutinized a great many things when he was in a foul mood.  He absent-mindedly walked around the store.  These people looked like they belonged anywhere but an office.  There was the guy with nylon running shorts.  Shorts are one thing.  This dope’s were shorter than any self-respecting man would dare to wear.  

Then there was the very pregnant store employee.  She cheerfully asked Sam if he needed help finding anything.  He wasn’t looking for anything, and he wasn’t in the mood for cheer.  Her wide mouth and wider smile revealed a tongue piercing.  Sam didn’t know any other reason for getting a tongue ring.  He doubted there was one.  Her pregnant belly suggested the piercing hadn’t done much good.  Or the guy was just insatiable.  Either way, it wasn’t Sam’s problem.

On it went.  Everyone in the store was going to hell in handbasket.  Sam was a detective.  He was just filling out the indictments.  This one pushed the cart too slow.  That one talked too loudly.  Warm weather seemed to bring out horrible mothers.  They were screaming blue murder at their kids, they were overly permissive.  They were all doing it profoundly wrong.  

He found it hard to be too critical of the braless co-ed.  Her paisley blouse was probably garish.  But Sam wasn’t too critical when he was watching jiggling tits.  Hers were small, but they were big enough.  They were just fine as far as Sam was concerned—and so was she.  Still, he would have been damn critical if she actually stepped into an office in that get-up.  Well, any office but his.

Voyeurism was small comfort, though.  Sam paid for his purchases and left the store.  He browsed thrift shops for neckties.  He bought spaghetti for dinner.  A succession of distractions—and minor irritations.  But finally he headed back to his office.

Sam was just walking up to the his door when he paused.  It was a very distinctive noise.  He looked around.  It was a plumber’s van stopped at the red light.  He was listening to the baseball game.  Sam listened, too.  He couldn’t hear what the announcer was saying.  But he could hear the deep steady voice.  Then he heard it pause.  He could still hear the crowd noise in the background.  Sam smiled.  The announcer was probably waiting for the pitch.  That was good.  A play-by-play man shouldn’t step all over the game.  The announcer resumed talking as the light changed.  The van rolled away.  

Sam didn’t know if the pitch was a grounder to first or a home run.  He didn’t really need to know.  It was afternoon baseball on the radio.  It was rare these days.  It was still beautiful.  

Sam would go back to fretting.  He’d pace and mutter.  He’d wonder.  But he had a moment.  A moment where all was right with the world.  He shrugged.  It was more than most people got.  

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[NOTE: I inadvertently posted this before it was finished.  It’s all there now.]
How do you measure a year?  Didn’t that used to be a popular Broadway song?  Doesn’t matter.  I was never good at measuring things.  I don’t measure years.  I get enough people telling me it’s my birthday.  And I know I’m older.  Simple as that.
Simple.  And superfluous.  Age hasn’t changed me.  But the past year has.  I can measure my birthday, if I can’t measure a year.  The bourbon in this year’s glass is about eight years older than the rye I drank last birthday, and infinitely smoother.  I didn’t have snazzy Batman cuff links a year ago.   
And that’s my year.  The whiskey is older and I’m fastening my shirt-sleeves with postage stamps.  Some year.
But it was.  Well, most of it: the ten months after I met the moll.  The cuff links were a Christmas gift from her.  I wasn’t drinking alone because she was here.  I still read noir, but I’m on the outside looking in.  I’m not slowly circling the drain any longer.
But I still don’t know how to measure a year.  That’s all right.  I can measure a happy birthday.  So I did that instead.  But that didn’t tell me anything I didn’t know.  Turns out a happy birthday has the exact same lovely measurements as the woman who made me a very happy birthday boy on Saturday night.

[NOTE: I inadvertently posted this before it was finished.  It’s all there now.]

How do you measure a year?  Didn’t that used to be a popular Broadway song?  Doesn’t matter.  I was never good at measuring things.  I don’t measure years.  I get enough people telling me it’s my birthday.  And I know I’m older.  Simple as that.

Simple.  And superfluous.  Age hasn’t changed me.  But the past year has.  I can measure my birthday, if I can’t measure a year.  The bourbon in this year’s glass is about eight years older than the rye I drank last birthday, and infinitely smoother.  I didn’t have snazzy Batman cuff links a year ago.   

And that’s my year.  The whiskey is older and I’m fastening my shirt-sleeves with postage stamps.  Some year.

But it was.  Well, most of it: the ten months after I met the moll.  The cuff links were a Christmas gift from her.  I wasn’t drinking alone because she was here.  I still read noir, but I’m on the outside looking in.  I’m not slowly circling the drain any longer.

But I still don’t know how to measure a year.  That’s all right.  I can measure a happy birthday.  So I did that instead.  But that didn’t tell me anything I didn’t know.  Turns out a happy birthday has the exact same lovely measurements as the woman who made me a very happy birthday boy on Saturday night.

13 notes 

The Hippie

Morg was out of his element.  This wasn’t too uncommon an occurrence.  But Morg wasn’t surrounded by flower-children every day.  Morg steered clear of the College.  But the case came first.  Knowlton House might hold some clues.  To Knowlton he went.

The girls didn’t like him, and he returned the favor.  Each regarded the other as an unfortunate anachronism.  To the students, Morg was patriarchy itself.  They were sure his necktie was Freudian—to say nothing of his snub-nose.  But Morg would have been equally glad to leave behind his own memories.  Morg had known plenty of hippie peers.  He had despised them for it.  He didn’t see any need to revive the trend.

Morg tried to question them.  Tried to elicit information from what he regarded as an unwashed mob.  Worse, they were an unshaven mob.  Morg didn’t go for that.  He didn’t see the point of going to a girls’ school if they didn’t act like girls.

One girl in the back seemed especially amused.  Her eyebrows were heavy, but her eyes danced—nonsensically, Morg thought.  She alternated between looking high and mephistophelean.  Morg shoved the girls in between them away as he made his way to her.  She was holding a roll of toilet paper in either hand, but he didn’t pay any heed to that.

“Where were you last night at 3:00 a.m.?”

She smirked.  ”I was with my girlfriend.  I don’t live in Knowlton anymore.  I’ve graduated two years ago.”

“What the devil are you doing here now?”

She lifted up the rolls of toilet paper.  ”Just came back to get supplies.”

 ”What have you been doing been doing for the past two years that you can’t buy toilet paper for yourself, kid?”

She shrugged.  ”I do what I please.  I’m free.  You’re not, man.  You know, my friends were pornstars in Toronto?  They left after after an STD scare and hitchhiked down to South Carolina.  They got caught in a hurricane they didn’t even know was coming!  I haven’t done anything like that.  I want to live.”

He wasn’t impressed.  ”I’m old enough to remember when your parents were all like that.  What, did you gals all come from a colony or something?  I’ll tell you what I told them—and I wasn’t any older than them.  Get a job.”

She laughed.  ”I have two jobs.  I have everything I want.”

“Well, it ain’t enough, kid.  Get a real one.”

“Isn’t that just like society?  Tell me what I want.  You’re just a stooge for capitalism.  You don’t have to work for the city to be a pig, Mr. Private Eye.  Resist the neoliberal tyranny!”

Morg rolled his eyes.  ”Capitalist tyranny?  Maybe I don’t know all about that.  And maybe I don’t like all of it.  Do whatever you want, sister.  But I’m pretty sure I like the part of the tyranny where you wipe your own ass with your own toilet paper.”

13 notes 

I’m a guy who likes social media, and who wastes far too much time with it.  After being invited to join Pinterest, I started playing around with it.  Alas, most of what I saw after creating an account looked like it belonged in Better Homes and Gardens.  Nothing wrong with that, but nothing to pique my interest, either.  
I scratched a little deeper, however, and found that despite superficial similarities (OK, lots and lots of similarities) to tumblr, Pinterest might be interesting as well.  There’s a lot there about menswear, which I’m keenly interested in.  And I figured it might be a good platform to post pictures of other things I’m interested in which don’t always fall under the broad umbrella of noir/hardboiled.  
I’m “poliscinoir” on Pinterest.  I don’t intend it to be exclusively hardboiled, but it will certainly be a part.  God knows there is far too little noir on Pinterest, but I’ll try to rectify that.  Bob Dylan and Peter Jennings do not get enough respect, in my humble opinion—and don’t always seem apt subjects here.  And of course I will engage in shameless exhibitionism.  
If any followers are on Pinterest, feel free to follow me and let me know who you are—I’d love to follow you as well.  If you’re not on Pinterest and want to try it out, I will be happy to send you an invite.  
http://pinterest.com/poliscinoir/

I’m a guy who likes social media, and who wastes far too much time with it.  After being invited to join Pinterest, I started playing around with it.  Alas, most of what I saw after creating an account looked like it belonged in Better Homes and Gardens.  Nothing wrong with that, but nothing to pique my interest, either.  

I scratched a little deeper, however, and found that despite superficial similarities (OK, lots and lots of similarities) to tumblr, Pinterest might be interesting as well.  There’s a lot there about menswear, which I’m keenly interested in.  And I figured it might be a good platform to post pictures of other things I’m interested in which don’t always fall under the broad umbrella of noir/hardboiled.  

I’m “poliscinoir” on Pinterest.  I don’t intend it to be exclusively hardboiled, but it will certainly be a part.  God knows there is far too little noir on Pinterest, but I’ll try to rectify that.  Bob Dylan and Peter Jennings do not get enough respect, in my humble opinion—and don’t always seem apt subjects here.  And of course I will engage in shameless exhibitionism.  

If any followers are on Pinterest, feel free to follow me and let me know who you are—I’d love to follow you as well.  If you’re not on Pinterest and want to try it out, I will be happy to send you an invite.  

http://pinterest.com/poliscinoir/

8 notes 

Here’s a very early post.  Stephen Tyler’s abominable performance of the national anthem at today’s AFC Championship Game gives it new relevance.

dispatchesfromnoir:

The soloist might have been good, if she could hold a note for very long.  But it didn’t matter.  I was standing straight and held my hat over my heart.  I always wanted to impale the lazy slobs who sprawled out during the anthem.  I respected the anthem, and I respected my country.  Doesn’t mean it couldn’t be painful.  As the singer caterwauled her way through the song, her voice slid up and down the scales.  “Keep trying,” I muttered as I winced.  “You’ll hit the note eventually.”

13 notes 

Granted, this isn’t noir.  Still, I see no reason to confine myself to one subgenre of crime fiction.  Charteris and his successors (sci-fi novelist Harry Harrison was the ghostwriter for this one) wrote with a distinctive, florid style.  But Simon Templar is just a pulp hero with purple prose.
I like pulp art as much as the next guy, but this cover is completely inappropriate for the book it contains.  This book was published in 1964.  Because Harrison is borrowing Charteris’ literary style, it reads like it was written even before that.  But the styles depicted on the man and woman appearing on the cover appear to be from at least ten years after 1964. 
Still, don’t let poorly drawn cover art keep you from The Saint’s adventures!

Granted, this isn’t noir.  Still, I see no reason to confine myself to one subgenre of crime fiction.  Charteris and his successors (sci-fi novelist Harry Harrison was the ghostwriter for this one) wrote with a distinctive, florid style.  But Simon Templar is just a pulp hero with purple prose.

I like pulp art as much as the next guy, but this cover is completely inappropriate for the book it contains.  This book was published in 1964.  Because Harrison is borrowing Charteris’ literary style, it reads like it was written even before that.  But the styles depicted on the man and woman appearing on the cover appear to be from at least ten years after 1964. 

Still, don’t let poorly drawn cover art keep you from The Saint’s adventures!

3 notes