I wouldn’t call this a neo-noir, but it’s closer to Highsmith’s noir writing than (the beautiful travelogue) The Talented Mr. Ripley.  I also prefer Malkovich’s much more calculating Ripley to Damon’s by a long shot.

I wouldn’t call this a neo-noir, but it’s closer to Highsmith’s noir writing than (the beautiful travelogue) The Talented Mr. Ripley.  I also prefer Malkovich’s much more calculating Ripley to Damon’s by a long shot.

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